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FEATURE PROFILE
Two Callings:
Sheryl Heather Cohen
Sheryl
Heather Cohen, soprano soloist in Tempesta di Mare's
upcoming Hoshanna! Hebrew Music of the High Baroque,
is a singer with two callings. As
opera singer Sheryl Heather Cohen, she's sung in Don
Giovanni, Die Fledermaus, Hansel and Gretel—and
Tempesta di Mare fans will remember her turning into a tree
in Handel's Apollo and Daphne a few years ago.
As a National Winner in the most prestigious talent search
in the field of opera, the Metropolitan Opera National Council
Auditions, she's sung at the Met. Twice.
She's
also Sherry Cohen, a Cantorial Soloist at Philadelphia's
Congregation Rodeph Shalom, the great tiled and gilt Moorish
synagogue on Broad Street just north of Spring Garden. For
more than 11 years, she's led worship services at one
of the oldest Jewish congregations in the Western hemisphere.
"Oh yes, singing at the Met in competition is very exciting,"
Cohen says. "The crowd is huge, they're all strangers, every
eye is on you, judging." Rodeph Shalom is a completely different
experience. "It's comfortable, calm, familiar. You're leading
people in prayer, after all."
Opera
and cantorial chant both run in Cohen's blood. Her mother,
an opera singer, was her first voice teacher, and she was
a cantorial soloist at her home congregation in Newton, MA.
While studying at Philadelphia's Academy of Vocal Arts
a few years after winning the Met award, she got her break
at Rodeph Shalom. One of the Cantorial Soloists got sick during
the High Holy Days. Cohen knew the repertory from childhood
and stepped right in.
Being
both entertainer and spiritual leader doesn't bother
Cohen. She loves it. "It's me underneath, no matter
what I'm doing," she says. "When you're
leading a service, maybe you're more yourself than when
you're playing some character. But when you're
portraying a character, it's you telling an important
story through that character."
Her
name, Cohen, brings her Jewish heritage into her concert career.
Certainly, times have changed. The days when opera stars Belle
Miriam Silverman, Reuben Ticker, Moishe Miller, and Jacob
Pincus Perlemuth had to perform as Beverly Sills, Richard
Tucker, Robert Merrill and Jan Peerce are long past.
Or
perhaps not that long. "After I won the Met competition,"
says Cohen, "an old man came up to me, very, very kind.
He had a beard and looked like an old-fashioned rabbi. He
congratulated me. I said thank you very much. He said, have
you considered changing your name? I said, no, I haven't.
You might want to reconsider it, he said, it's too Jewish
sounding." She laughs.
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FEATURE ARTICLE
(continued)
Bringing concert singers in to lead prayers can
prompt controversy, too. In 1944, Richard Tucker had to resign as
cantor at the Brooklyn Jewish Center when he won his Metropolitan
Opera debut in La Gioconda. One of the rabbis who blackballed him
wrote, "I am sure that people would find it quite strange
to see their cantor one day recite the Neilah prayer and the following
day sing a love duet with some lady."
But at Rodeph Shalom, they love their divas. "It's
like going to an opera, so beautiful that you feel like you're
in another world," says a congregant. "They're
singing prayers and it's so moving. It feels like a transforming
experience."
For Cohen, that's the magic of music. "It's
really a gift to be able to communicate with people on such a meaningful
level. Singing is like communing with the congregation, it's
really lovely, it's a pleasure for me," she says.
"Kol haneshama," the cantata
Cohen sings in the upcoming Hoshanna! Hebrew Music of the High
Baroque, suits her to a "T". For the opera singer,
it's a showstopper with bravura vocal writing like Mozart's.
It's also a deeply devotional piece in Hebrew, a setting of
Psalm 150 ("Let every thing that hath breath"), just
right for the cantorial soloist.
And in the eighteenth-century Italian oratorio,
God, Defender, and Accuser (Elyon, Melits, u-Mastin)
Cohen will be singing the part of "Mercy," who spars
with the "Accusor" in a mock-trial before God sitting
in judgment, hearing the cases for and against humankind. Cohen
will be pleading for us.
We're in good hands.
Anne
Schuster Hunter, Contributing Editor, is a writer and art
historian living in Philadelphia.
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